Mood:
Topic: Weaving
I'm back exhausted, stimulated etc. from Association of Northwest Weavers Guild (ANWG) 2009 in Spokane at Gonzaga University. My first (but not only by a long ways) inspiration came from my instructor Kris Abshire. http://www.krisabshire.com/ Kris is an excellent dyer, weaver, surface design person and showed us lots of her beautifully colored work. I had seen a big piece with caribou in Tacoma in 2005. I still remembered it vividly and when I could take a 2 day dyeing class from her I signed up. I just wished I could have taken the Surface Design class she taught in the post conference workshop. An Alaskan Kris finds most of her inspiration in the natural world around her. Kris’s weavings combine warp painting with pictorial surface design elements. Fortunately for me Kris uses the same Sabrasett dyes I do. I have 60+ colors currently mixed and look forward adding Kris’s formulas to my mix. She uses a lot more Navy in her mixes than I do, so it will extend my color palette. Like Nancy Roberts of Machine Knitting to Dye For fame, she uses a 2 % solution rather than the 1% solution which is my norm. I’m still contemplating that. I occasionally use 2 or 4 % solutions, but 1 % is my norm. Much of Kris’s work is with a 100 percent silk whereas I normally use a wool or wool/silk blend or other protein fiber blend. Since silk is harder to permeate than wool, this is a factor also. My classmates and I dyed 2 warps and 2 wefts. The first was the more painterly approach using unthickened dyes. The second used thickener to get more precise results on part of the piece. Our class and yarns are shown here as well some closer samples of our yarns.
Each warp chain is surrounded by its corresponding weft. I asked Kris is she has a “default weft”. She said usually navy or black. She suggested being careful using one of the colors from the warp painting in your weft because those sections where the exact same color is both warp and weft will jump out. For example if you want to use red in both some of your warp painting and weft, then make sure your weft is a different color red. She also says that picking weft is more about value and that using a darker weft will make the warp dominate and pop off more. Also a 3/1 twill will be less blendy than plain weave. She often uses a straight draw twill for her warp and then decides from there. More about Kris’s ideas later. She says she will be updating her website with lots of hands-on info. So keep checking back to Kris's website.
Updated: Wednesday, 3 June 2009 2:06 PM MDT
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Linda
She is Bethgirl on Ravelry.
ned it for knitalong that I used to attend. Many knitters there knit it, but I didn't have enough sense to take any pictures. One that did and who took her own picture was "our" Diana of this site. I particularly loved the colors in this scarf even better than the ones I knit. So thanks to Diana for knitting this, taking this picture and posting it on Ravelry. 
Later I knit the purple multicolored version which was my original concept for the scarf. When I'm knitting my patterns I always come up with new colors and ideas I'd like to try in the pattern but then I get bored with the pattern and move on. Someday, I'll revisit this pattern again with some new ideas. But for now I'm on to new patterns. That is one of the things I really like about pattern testers or others that knit my patterns, I get the pleasure of fresh exploration in colors and yarns, while I'm playing with something new.